Collection of containers made entirely of natural leather, which seek to externalize the strength and identity of a territorial material, with history, past and future, where traditional techniques and languages used by the gaucho are intertwined, claiming old sewing techniques , modeling and construction, without the need for threads or glues, which were used to assemble or overlap leather sheets (commonly called embossed seams in criollo traditions). In its upper part, I worked with the natural movement of the leather after submitting it to a process of boiling in water. An object that combines contemporary forms and the challenge of revisiting these artisan techniques and forgetting them.