Through an introspective journey both within the self and across the territory, Mohaded discovers traces in memory, in liminal realities, and in mythical, religious, historical, and biological narratives imprinted upon the bodies of thorns, fruits, branches, and roots. These primal materials enhance subjective connections, encapsulated within the new species that embody a broad spectrum of artisanal knowledge, deftly shaped by the artisan masters Renzo Galeano and Norma Álvarez. The open and neutral space of the museum is invaded by provocative species with incipient forms which interrupt each other, engage and cohabit with one another. They are protagonists of a choreographic exercise with sequences that guide